Culture is the perspective through which we look at, interpret and manage complex reality.
We like to call this “the cultural feeling”: the empathic and shared approach that we take when we design and develop solutions for the cultural world and beyond. Visual identities, services for the publishing industry and web design originate from design thinking and are the creative result of a collective work.
Bunker is an independent studio, but we partner with artists, photographers, videomakers and writers to create beautiful and functional projects. We connect culture and creativity.
Our design thinking guides us to research the most functional design for well-structured institutions – like museums or other physical places – or organizational institutions like foundations. We believe that design should provide solutions to problems through the identification of the client’s needs. It is a service that addresses service providers.
How can we arrange the online exhibition of one of the most important Venetian glass collections in the world? The Fondazione Carraro website is the result of our design efforts targeted at invaluable content.
Reggio Children Foundation
Our task was to communicate a complex and ever-changing reality like Reggio Children Foundation. Our co-design work is shaped by their new identity and communication approach.
To celebrate the anniversary of Vogue Italia, we developed a web app that collects 50 years of magazines in digital format, which users can read, search, and store.
Orchestra di Padova e del Veneto
Orchestra di Padova is one of the best orchestras in Italy. In 2009 we renewed their visual identity and since then, every year we engage with artists and illustrators to communicate their concert season.
A festival is a fluid brand: it changes year after year, and by necessity is always different from the previous edition. We design visual identities for events, exhibitions and trade shows, and articulate them in all their contact points to create new digital and physical experiences. We really enjoy attending festivals, as much as creating beautiful designs for them.
DIG stands for “Documentari, Inchieste, Giornalismi” (“Documentaries, Investigations, Journalisms”) but also reflects the act of “digging” deeper. In 2021 we curated the graphic design of DIG Festival together with illustrator Stefano Ricci.
We designed the graphics and communication for TEDxCortina, the event that spread with innovation one of the most precious and natural ecosystems in Italy.
A book is way more than text between two covers. A book is a project, an interconnected system of choices where beauty is created through function. We believe that a good editorial project originates from the ambition to build a relationship with the reader. We give shape to contents and make them accessible and engaging.
Is it really possible to change La Pimpa? With this question in mind, we rolled up our sleeves to restyle the brand and the editorial products of this iconic character created by Altan.
A book can also be judged by its cover. That’s why for Il Margine publishing house we developed a thorough branding project with a breakthrough graphic design.
Guidebooks and law codes share a similar graphic organization, i.e. the same one as manuals. When we redesigned the Frizzera series from Il Sole 24 Ore, we targeted the new style for daily use.
We used typography and photography to design a streamlined, well-balanced and graphically refined style for this Il Sole 24 Ore journal that focuses on taxation, accounting, and corporate law.
Do you have a new project in mind?
We’d love to hear from you! Contact us and tell us about your cultural project.